The older that I get the less I want to settle down The older that I get the more I want to get around I wanna live for pleasure I wanna live for fun So many lovely guys I want to sleep with every one I'm gonna be a slut I used to be a Christian I was shy and insecure but i spread my legs and dumped the Lord and now I Know for sure I wanna live a long live Be older than King Tut cause I got lots of condoms and the're going up your butt
I'M GONNA BE A SLUT I'M GONNA BE A SLUT I'M GONNA BE A SLUT I'M GONNA BE A SLUT!!!!
nadja_x GhOuL
Join date : 2011-01-27
Subject: Re: bikini kill!kill!kill! Sat Apr 09, 2011 6:41 pm
the git's-here's to your fuck
viva mia zapata \m/
how nice saying your last words to somebody through this song,yeah...yeah..yeah..
Subject: Re: bikini kill!kill!kill! Tue May 03, 2011 2:30 am
wiki:final girl
According to Clover, the final girl is typically sexually unavailable or virginal, avoiding the vices of the victims (sex, narcotic usage, etc.). She sometimes has a unisex name (e.g., Teddy, Billie, Georgie, Sidney). Occasionally the Final Girl will have a shared history with the killer. The final girl is the "investigating consciousness" of the film, moving the narrative forward and as such, she exhibits intelligence, curiosity, and vigilance.
One of the basic premises of Clover’s theory is that audience identification is unstable and fluid across gender lines, particularly in the case of the slasher film. During the final girl’s confrontation with the killer, Clover argues, she becomes masculinized through "phallic appropriation" by taking up a weapon, such as a knife or chainsaw, against the killer. Conversely, Clover points out that the villain of slasher films is often a male whose masculinity, and sexuality more generally, are in crisis. Examples would include Norman Bates in Alfred Hitchcock's Psycho. Clover points to this gender fluidity as demonstrating the impact of feminism in popular culture.
The phenomenon of the male audience having to identify with a young female character in an ostensibly male-oriented genre, usually associated with sadistic voyeurism, raises interesting questions about the nature of slasher films and their relationship with feminism. Clover argues that for a film to be successful, although the Final Girl is masculinized, it is necessary for this surviving character to be female, because she must experience abject terror, and many viewers would reject a film that showed abject terror on the part of a male. The terror has a purpose, in that the female is 'purged' if she survives, of undesirable characteristics, such as relentless pursuit of pleasure in her own right. An interesting feature of the genre is the 'punishment' of beauty and sexual availability (Leading to the idea that "Sex = Death" in Horror Movies)
nadja_x GhOuL
Join date : 2011-01-27
Subject: Re: bikini kill!kill!kill! Wed May 18, 2011 10:50 am
A zine on self-injury, eating disorders, and sexualized violence. This zine lays open the author's struggle with internalized sexism by looking at the ways patriarchy has manifested itself in the author's body. Other articles connect her personal experiences with a broader, intersectional exploration of power within activist and punkrock communities she both embraces and attempts to hold accountable.
TRIGGER WARNING: this zine deals explicitly with self injury, eating disorders, and sexual assault. read with care.
cherry_mary Final Girl
Join date : 2009-06-29
Subject: Re: bikini kill!kill!kill! Fri Jun 24, 2011 2:00 am
NO PROTECTOR - NO LEADER - NO MASTER
cherry_mary Final Girl
Join date : 2009-06-29
Subject: Re: bikini kill!kill!kill! Thu Jun 30, 2011 2:48 pm
ο τυπας περιμενε οτι θα τον λεγαμε σεξιστη. εγω αναρωτιομουν, αν το τραγουδι παρουσιαζοταν απο all female band ποσο διαφορετικα μπορει να το βλεπαμε. η γραμμη που χωριζει τον ερωτισμο, τη χυδαιοτητα και το σεξισμο ειναι λεπτη και θολη. τι σημαινει σεξουαλικη απελευθερωση; οσοι καταδικαζουν το σεξισμο δεν ειναι απαραιτητα μη-σεξιστες, οπως και οσοι μισουν τους χιπιδες δε σημαινει οτι δεν κρυβουν ενα σκατοχιπη μεσα τους, ομοιως οσοι κυνηγανε φασιστες δε σημαινει οτι δεν ειναι οι ιδιοι φασιστες one way or another, και ουτω καθεξης. (hope you got the t-shirt joke now.)
κανω ενα διαλειμμα για ενα τσιγαρο. αυνανισμος στο φουμπου και πετυχαινω αυτο: καποια: -Πες μου πως γινεται... να κυβερνουν τον κοσμο αντρες (με τα αποτελεσματα που ολοι ξερουμε) και παραλληλα για ολα να φταινε οι γκομενες; Δακρύζω και πονώ, φωνάζω και γελώ και κλαίω και παραμιλώ. καποιος: -άντρας είναι η μέρκελ; (μπορεί) άντρας είναι η λαγκαρνίνα; άντρας ήταν η θάτσερ; άντρας είναι η σπανιόλα υπουργίνα οικονομικών; άντρας είναι η Γιαμαντοπούλαινα; έλα, τώρα!
Subject: Re: bikini kill!kill!kill! Fri Jan 13, 2012 2:16 am
Oi Polloi - When Two Men Kiss
When two men kiss Walk hand in hand The fear of what You don't understand Explodes into violence Screams break the silence The guy was a poof The guy was queer Dehumanised And living in fear No, you're not thick And you say they're sick But the only sickness I can see Is the cancer of Your bigotry What kind of society do we live in where the simple act of showing love and affection towards another human being results in this kind of sickening murderous violence? Intolerance, bigotry and hate - I say it's time to stop. From nazi boneheads to Bad Brains - Warped attitiudes that we must change and it's not just homofobia - Rampant sexism, macho dancing, beating of woman - All this is rife within the scene - often closer to home than we care to acknowledge. It's time to stop sweeping things under the carped - Confront the problems - And act.
cherry_mary Final Girl
Join date : 2009-06-29
Subject: Re: bikini kill!kill!kill! Mon Jan 23, 2012 4:01 pm
Группа Pussy Riot жжет путинский гламур
sufferin_succotash WeRewOLf
Join date : 2011-10-24
Subject: Re: bikini kill!kill!kill! Tue Jan 24, 2012 12:25 am
Subject: Re: bikini kill!kill!kill! Sat Feb 18, 2012 1:10 am
αναφορικα Riot Grrrl did not meet the needs of many women because it was mostly a white, middle-class, youth-oriented movement. It also did not accomplish any sweeping changes for women such as abortion rights or sexual harassment laws, successes achieved by second-wave feminists. το διαβασα.
✂F.Rohypnol WeRewOLf
Join date : 2009-11-28
Subject: Re: bikini kill!kill!kill! Mon Mar 19, 2012 1:13 am
Flapper: "the social butterfly type… the frivolous, scantily-clad, jazzing flapper, irresponsible and undisciplined, to whom a dance, a new hat, or a man with a car, were of more importance than the fate of nations." Flappers' behavior was considered outlandish at the time and redefined women's roles. The image of flappers were young women who went by night to jazz clubs where they danced provocatively, smoked cigarettes through long holders, and dated freely, perhaps indiscriminately. They rode bicycles, drove cars, and openly drank alcohol, a defiant act in the American period of Prohibition. Flappers also began working outside the home and challenging women's traditional societal roles. They advocated voting and women's rights. With time, came the development of dance styles then considered shocking, such as the Charleston, the Shimmy, the Bunny Hug, and the Black Bottom. The evolving flapper look required 'heavy makeup' in comparison to what had previously been acceptable outside of professional usage in the theatre. With the invention of the metal lipstick container as well as compact mirrors bee stung lips came into vogue. Despite its popularity, the flapper lifestyle and look could not survive the Wall Street Crash and the following Great Depression. The high-spirited attitude and hedonism simply could not find a place amid the economic hardships of the 1930s.
Επιναν, καπνιζαν, βαφονταν, χορευαν, εβγαιναν ραντεβου με οποιον να ναι, ηθελαν να ψηφισουν και, ω τι συμφορα!, δουλευαν εκτος σπιτιου προκαλωντας τον παραδοσιακο κοινωνικο ρολο της γυναικας...
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